Accordion & Childhood. Research projects by Patrizia Angeloni
Action Research I. The accordion in basic music training.
Action Search II. From sound research to musical construction.
Conference.
What didactics for the concert accordion in childhood? How can the accordion be a musical training tool in the Kindergarten? In response to these questions, the conference illustrates research projects developed in courses and laboratories.
October 2nd, 2022 – 11 am [within the PIF MATINÉE program]
Castelfidardo, Salone degli Stemmi
FREE EVENT
The role of didactics is essential both for the development of concert music and for the dissemination of the instrument as a means of training for the person. The action research documented here is based on scientifically based psycho-pedagogical issues and on the modern conception of the accordion and concerns courses and workshops aimed at children aged four to seven, in different educational contexts. Objectives, contents, methodology, musical materials and results will be presented, also through audio and video documents. The conference also includes a conversation with the audience.
Patrizia Angeloni is a concert performer, accordion teacher at the Ottorino Respighi Conservatory of Latina and Visiting Professor in some European academic institutions (among others: Hochschule für Musik – Trossingen; Akademia Muzyczna – Danzica; F. Liszt Academy – Budapest). Always dedicated to the diffusion of the concert accordion, Patrizia Angeloni is trained and active in different dimensions, adding to her artistic-professional activity in the concert field an intense work around the development of original literature and transcription, with attention to musicological research and a constant commitment in the didactic and publishing fields. Since the beginning in the Eighties, at the dawn of the accordion concert, he has been working on research on the use of the accordion in the artistic field, from the Renaissance and Baroque repertoire to the contemporary one, also proposing concert programs oriented towards dimensions not yet experienced in chamber music. and, more recently, of the performance arts. As a concert performer, he has collaborated, among others, with the Tuscan Regional Orchestra, Donaeuschingen Art Plus Museum, Teatro Metastasio di Prato, Teatro Stabile delle Marche, ERT. She has curated some musical production projects, of which she is also the creator and interpreter: among others Accordion for Beethoven, Accordion fo Menotti and Accordion Waves suona italiano, published by Ars Spoletium Publishing & Recording. She has recorded some works by Stefano Bonilauri dedicated to her for SopraToni. He has published essays, transcriptions, didactic works. A pupil of Salvatore Di Gesualdo, she also recognizes Hugo Noth and Joseph Macerollo among her teachers. He also carries out humanistic, musical and didactic studies, integrated in different fields (Composition, Fauto traverso, Funktionale Methode by G. Rohmert, Didactics of Music). He deals with Research Projects in the field of instrumental training, also selected and published by Siem-ISME. Since 2017 he has chaired the New Italian Music Didactic Center (Nuovo C.D.M.I.) and since 1993 he has led the EOLO Research Center for the Accordion.
